Australia helps Vietnam preserve Thang Long Royal Citadel
Australian Ambassador to Vietnam Hugh Borrowman on January 18 handed over information boards introducing the Thang Long Royal Citadel to Hanoi People’s Committee.
Hanoi (VNA) 𓄧– Australian Ambassador to Vietnam Hugh Borrowman on January 18 handed over information boards introducing the Thang Long Royal Citadel to Hanoi People’s Committee.
Images and information on the boards, which is written in both Vietnamese and English, are the results of long-time coordination between William Logan, an Australian expert on heritage, and the Thang Long-Hanoi Heritage Preservation Centre.
Designed and produced in Australia, these boards meet international standards in terms of language, format and location.
The boards are expected to make it easier for domestic and foreign tourists to explore cultural and historical values of the UNESCO-recognised Thang Long Royal Citadel.
Addressing the event, Hugh Borrowman described the boards as a gift Australia presents to Hanoi and one of the symbols of the time-honoured friendship between Australia and Vietnam.
Vice Chairman of the municipal People’s Committee Le Hong Son thanked the Australian Government and people for their sentiments towards the capital city and especially their contributions to preserving and upholding values of the relic site.
The official noted his hope for more support from the Australian Embassy in all areas, particularly in the work.
The citadel was built in the 11th century during the Ly Dynasty to mark the independence of Dai Viet, the former name of Vietnam. The central sector of the imperial citadel was listed in UNESCO's World Heritage Site on July 31, 2010.-VNA
An array of archaeological objects found in Thang Long Imperial Citadel since 2010 are being displayed in an exhibition that opened in Hanoi on October 1.
A series of traces revealing the most sufficient evidence of cultural layers dating from the 11th century to 20th century have been detected in the Kinh Thien Palace of the Thang Long Imperial Citadel’s central section.
A detailed plan on restoring, preserving and promoting the values of the Thang Long Imperial Citadel relic site’s central sector has been approved by the Ministry of Construction.
A collection of 638 items and more than 100 photos and maps featuring Hanoi’s Thang Long Imperial Citadel were handed over to Ho Chi Minh City on September 28.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally