Alongside the restoration of traditional performance spaces in original Quan ho villages and the establishment of numerous clubs, Bac Ninh province has issued numerous incentive mechanisms and policies to support “Quan ho” villages and clubs, as well as artists and performers of this music genre.
A Quan ho (love duet) singing performance at the event (Photo: VNA)
Berlin (VNA) – An art programme was held in Berlin, Germany on April 12 evening by the northern province of Bac Ninh, aiming to introduce and promote ‘Quan ho’ (love duet) singing, recognised by UNESCO as Intangible Cultural Heritage of Humanity in 2009.
In his opening remarks, Trinh Huu Hung, Director of the provincial Department of Culture, Sports and Tourism, said that over the past more than 15 years of fulfilling its commitments to UNESCO, Bac Ninh has implemented various policies and initiatives to preserve and promote the value of this heritage.
Trinh Huu Hung (right), Director of the Department of Culture, Sports and Tourism of Bac Ninh province, hands over a Certificate of Merit to a representative of a Quan ho club in Germany (Photo: VNA)
Alongside the restoration of traditional performance spaces in original Quan ho villages and the establishment of numerous clubs, the province has issued numerous incentive mechanisms and policies to support “Quan ho” villages and clubs, as well as artists and performers of this music genre.
🔯 The art programme was held following a wide range of cultural activities in France to promote “Quan ho” and Dong Ho folk paintings – UNESCO-recognised Intangible Cultural Heritage in Need of Urgent Safeguarding./.
The event featured two cultural treasures, Dong Ho folk paintings and Quan ho (love duet) folk singing, offering French audiences and the Vietnamese community in France an opportunity to experience these traditional art forms.
More than 700 singers from 24 Quan ho (love duet) singing villages in the northern province of Bac Ninh on November 15 gathered at the first-ever Quan ho village festival, an event held to mark the 15th anniversary of the UNESCO’s recognition of the folk singing as an intangible cultural heritage element of humanity.
The Department of Culture, Sports and Tourism of the northern province of Bac Giang recently hosted its eighth biennial Quan ho (love duet) singing, spotlighting the enduring legacy of the centuries-old musical tradition recognised by the UNESCO as an intangible cultural heritage element of humanity.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
