The central province of Phu Yen is now home to nearly 20,000 Cham people who are mainly living in Dong Xuan, Son Hoa and Song Hinh districts, and have well preserved their culture and customs.
A ceremony of Cham people re-acted at a culture, sport, and tourism festival of Phu Yen (Photo: baophuyen.vn)
Phu Yen (VNA) 🎃– The central province of Phu Yen is now home to nearly 20,000 Cham people who are mainly living in Dong Xuan, Son Hoa and Song Hinh districts, and have well preserved their culture and customs.
Cham people often live in clans, so each hamlet often has only about 5-7 households. The largest has about 30 households.
While the Cham ethnics in Dong Xuan have a cultural interweavement with the Ba Na people, those in Son Hoa and Song Hinh have a bold cultural interweavement with Ede ethnic minorities. Their most noticeable features are costumes, houses, and gong performances.
The Cham people weave cloth to make their traditional costumes by themselves. They mainly live on rice and maize cultivation.
Each hamlet has its own self-management regime, with its head elected by local people. They are reputable elders who have rich experiences in farming, animal husbandry, and good understanding of the ethnic group’s customary laws.
The Cham believe that humans, like all living beings, have a soul and a reigning genie. However, they have a limit in praying and worshipping, as they only worship and give thanks to the genies who keep peace for their families and communities such as genies of rain, wind, land, river and the forest.
At present, Cham people in Phu Yen have access to new cultural life, so they have abolished customs that are no longer suitable. However, they have preserved and promoted cultural values imbued with their racial identity./.
For the Cham ethnic people, ceramics not only are used as daily utensils, but more importantly, they are an intermedia for them to connect with gods. Bau Truc pottery village in Ninh Thuan province is a perfect destination for visitors to explore the quintessence of Cham pottery making and their unique culture.
With a population numbering more than 40,000, the Cham ethnic minority group in Binh Thuan province boasts a treasure trove of cultural heritage items. Over the years, the province has paid due regard to promoting Cham culture in tandem with developing local tourism.
Home to a kaleidoscope of Cham artifacts, the central province of Thua Thien-Hue has worked to promote the values of Cham culture with a view to diversifying local tourism offerings.
A ceremony was held in the south-central province of Ninh Thuan on June 15 to receive the UNESCO certificate, which inscribes the art of pottery making of Cham people on the list of intangible cultural heritage in need of urgent safeguarding.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
A ceremony of Cham people re-acted at a culture, sport, and tourism festival of Phu Yen (Photo: baophuyen.vn)
