Conferences to promote conservation of UNESCO-recognised intangible culture heritages
A chain of conferences to assess the management, protection and promotion of the value of Vietnam's intangible cultural heritage recognised by UNESCO, is scheduled to take place in April 2021, according to the Ministry of Culture, Sports and Tourism.
Gong performance in the Central Highlands (Photo: VNA)
Hanoi (VNA) – A chain of conferences to assess themanagement, protection and promotion of the value of Vietnam's intangiblecultural heritage recognised by UNESCO, is scheduled to take place in April2021, according to the Ministry of Culture, Sports and Tourism.
These events aims to review the State management inprotecting and promoting the values of the three heritages: the culturalspace of gong in the CentralHighlands, the “don ca tai tu” art form (southernamateur singing) in the southern region, and Vietnam’s traditional practice of “Tho Mau Tam Phu” (theWorship of Mother Goddesses).
Ways to improve personel capacity and management efficiency for Vietnam’s UNESCO-recognised heritages,and enhance coordination among agencies, localities in protecting heritages, willbe under discussion.
Participants tothe conferences will focus on assessing the current situation of heritage management,and the building of projects to protect heritages.
They will alsoshare experience in heritage management and preservation and difficultiesfacing localities in the works, as well as proposed solutions to those issues.
As planned, representatives from localitiesboasting the heritages, experts, cultural researchers and those from relevantdepartments and sectors will gather together at the conferences./.
Ca Tru signing troupes from 13 provinces and cities nationwide will gather in the central province of Ha Tinh early next month for the National Ca Tru (ceremonial singing) Festival 2018.
The capital city of Hanoi has had two more cultural icons added to the list of national intangible cultural heritages, namely Trieu Khuc village’s festival and “com” production in Me Tri district.
Artists and craftspeople from the Co Tu group in Da Nang on November 23 showed off ancient trade and arts as well as cuisine at the city’s museum to mark the Da Nang Culture Heritage Day.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally