A painting exhibition by renowned Vietnamese artist Van Duong Thanh is underway in Italy’s Passignano sul Trasimeno town, offering visitors an insight into memories of her childhood on Vietnam.
Artist Van Duong Thanh (L) presents a painting to Passignano sul Trasimeno Mayor, Sandro Pasquali (Photo: VNA)
Rome (VNA) – A painting exhibition by renowned Vietnamese artist VanDuong Thanh is underway in Italy’s Passignano sul Trasimeno town, offeringvisitors an insight into memories of her childhood on Vietnam.
On display are 30 oil and lacquer paintings featuring thecountry and people of the Southeast Asian nation.
Speaking at the opening ceremony on June 11, VietnameseAmbassador to Italy Duong Hai Hung said that art, together with music, is abridge connecting the souls and hearts of Vietnamese and Italian people.
This exhibition is part of diplomatic and cultural activitiesheld by the embassy in celebration of the 50th anniversary of thetwo countries’ diplomatic ties (1973-2023).
Thanh said that she is honoured to be invited by AmbassadorDuong Hai Hung to conduct this exhibition as well as to create works for thePresidents of Italy, Malta and Cyprus.
Along with Passignano, the exhibition is being organised inPerugia province’s Umbria and Assisi towns from June 11-15.
Considered among Asia’s talented international femaleartists, Thanh grew up in Hanoi and studied for 12 years at l’Ecole de BeauxArts, Indochine and at the Vietnam Academy of Fine Arts.
Through her distinctive style of using a subtle combinationof Asian and European heritage in which Western techniques depict traditionalmotif of the natural world, women, children and flowers in more than 1,800paintings, Thanh successfully inspires a large number of both domestic andinternational art lovers. The harmonious composition of vibrant colours,reflection of its emotional value and touches of expressive semi-abstractionmake her paintings unique.
She has received, among other awards, the highly regarded ‘InternationalExcellence of Art of CFMI’, US-France in 1995 and 1997, and ‘Glory of theNation’ of Vietnam in 2007./.
A solo exhibition “The gioi lon trong mat tre tho” (Big World, Little Eyes) by Vietnamese young painter Xeo Chu is underway in London from March 29 – April 4 in the framework of the Vietnam Days in the UK 2022.
Winners of the 2022 “De Men” (Cricket) Award for Children will be announced at a ceremony on May 31, during which seven art works and items will be auctioned to raise funds to build or repair schools in mountainous areas.
Oil paintings featuring unique ancient Vietnamese architecture from across the nation are being exhibited at Van Mieu–Quoc Tu Giam (Temple of Literature Complex).
A collection of 50 paintings by children with disabilities, orphans and underprivileged is on display at the city’s Fine Arts Museum to mark Children’s Day (June 1).
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally