Duoi Anh Trang (In the Moonlight) by Tran Nam Anh (Photo courtesy of the artist)
Hanoi (VNS/VNA) -ไ Traditional lacquer paintings are on display at anexhibition entitled Lam (Deep Blue) in Hanoi.
The exhibition showcases 50 lacquer paintings by 25 artists who use traditionallacquer techniques.
The paintings depict the beauty of life, culture, people’s portraits andabstract images.
꧒ This is the fourth exhibition in recognition of the fifth anniversary of thegroup Vietnamese Traditional Lacquer Artists.
Besides displaying the latest artworks by the painters, the exhibition alsofocuses on a highly challenging requirement for expressionism.
All of the artworks are coloured with shades of blue, the most difficult colourin traditional lacquer which is rarely used nowadays.
The popular palette of lacquer paintings includes vermilion (red pigmentrefined from minerals that have a mercury sulfide base), black and brownrefined from sap of sumacs and some other materials such as silver leaves andgold leaves, eggshells, pearl and seashells.
In the 1930s and 1940s, painters from the Fine Arts College of Indochinaexperienced and succeeded in appropriating traditional techniques of lacquerwork to make unique pieces.
Members of the Vietnamese Traditional Lacquer Artists mainly use traditionallacquer, which aims to keep and develop lacquer work of our ancestors andmasters who initiated the unique value of Vietnamese lacquer paintings,according to artist Can Manh Tuong.
The group consists of many artists of different ages who have built theirexcellent reputation through lacquer paintings.
Although many painters are still young, they have a passion for researching andcreating to contribute new values to the great achievement of Vietnamese fineart.
“We want to bring new experiences in expressive techniques and new effects ofeyesight in the nuances of blue with full optimism and hopefulness,” hesaid.
෴ The exhibition will run until October 10 at the Vietnam University of FineArts, 42 Yet Kieu street, Hanoi. Visitors can enjoy the visual exhibition untilJanuary 10 next year, through Indochine Art, online artwork trading websiteat //www.indochineart.vn/.-VNS/VNA
From a starting bid of 120,000 USD, the lacquer painting titled Thac Bo (Bo Waterfall) by Nguyen Huyen (1915-94) was sold for 280,000 USD at a recent auction in Hanoi.
Lacquer is the link between one artist from Vietnam and two from France at the painting exhibition “The Soul of Vietnamese Lacquer” at the HCM City Fine Arts Museum.
Hoang Nga from Hanoi loves lacquer artworks. At an ongoing lacquer exhibition in Hanoi, she was also able to be part of the lacquer painting process for the first time.
Nguyen Trong Nha Uyen has made history for Vietnam’s dancesport by clinching a bronze medal in the solo Latin category at the WDSF World Championship 2025 in Germany.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
Duoi Anh Trang (In the Moonlight) by Tran Nam Anh (Photo courtesy of the artist) 
