Nearly 60 traditional folk paintings of different genres such as Dong Ho and Hang Trong, and those of Tay and Cao Lan ethnic minority groups are on display at an exhibition in the northern port city of Hai Phong.
The exhibition, from January 20 to the end of April, is jointly held by the Hai Phong Museum and the Vietnam National Fine Arts Museum. (Photo: VNA)
Hai Phong (VNA) – Nearly 60 traditional folk paintings of differentgenres such as Dong Ho and Hang Trong, and those of Tay and Cao Lan ethnicminority groups are on display at an exhibition in the northern port city ofHai Phong.
The event, from January 20 to the end of April, is jointly held by the HaiPhong Museum and the Vietnam National Fine Arts Museum.
Those paintings feature daily activities and religious life of Vietnamese, reflectingtheir wish for peace, prosperity and happiness, said Tran Thi Huong, DeputyDirector of the national museum.
With diverse subjects found in everyday life, they have contributed topreserving and upholding national traditions, she added.
Nguyen Van Phuong, Director of the Hai Phong Museum, said the paintings havenot only mirrored the spiritual life of Vietnamese, but also have educationaland moral values.
Visitors to the exhibition will have a chance to learn how to make folk paintings. (Photo: VNA)
Visitors to the exhibition will have a chance to learn how to make Dong Hopaintings in the northern province of Bac Ninh which date back to about the 16th – 17th centuries and developed until thefirst half of the 20th century.
A special feature of this woodblock printing art is that allmaterials are natural and found locally. Black colour, for example, is takenfrom burned bamboo or straw, while white colour comes from ground shells ofscallops.
The visual language used is simple and easy to understand and so tends to leavean everlasting impression on viewers.
Meanwhile, Hang Trong, another genre in Hanoi,was first known as worship paintings. Later, its topics expanded to coversocial activities like markets or dragon dance or famous stories like the Taleof Kieu and the classical drama of Son Hau./.
The northern province of Bac Ninh has completed a dossier seeking UNESCO’s inclusion of the making of Dong Ho folk paintings in the list of intangible cultural heritage in need of urgent safeguarding.
Prime Minister Nguyen Xuan Phuc has agreed with the submission of a dossier on Dong Ho folk paintings to UNESCO to include the art in the list of intangible cultural heritage in need of urgent safeguarding.
An exhibition in Hanoi is showcasing Hang Trong paintings, one of the most outstanding folk painting genres in Vietnam, recreated on lacquer and silk items.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
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Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
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The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
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Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
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The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
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Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
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