Gia Lai works hard to preserve ethnic cultural identities
Authorities of the Central Highlands province of Gia Lai have devised a series of measures to preserve and promote cultural identities of ethnic minority groups.
Gia Lai (VNA) – Authoritie🍨s of the Central Highlands province of Gia Lai have de❀vised a series of measures to preserve and promote cultural identities of ethnic minority groups, which account for over 45 percent of the locality’s population.
The province, which possesses various cultural identities, considers this a key task for its 2015-2020 socio-economic development plan.
The province is implementing a 2016-2020 project to preserve and uphold the value of the Gong culture space, part of a plan to conserve and promote cultural values of ethnic minority communities. The space of Gong culture in the Central Highlands was recognised by UNESCO as an intangible, cultural oral masterpiece in 2005.
Gia Lai boasts more than 6,000 sets of gongs, many of them extremely old. It is home to 13 national sites and site complexes, as well as four local-level ones.
Research on gongs and traditional costumes of local ethnic minority groups have attracted the interest of scientists in and outside the province.
As part of efforts to preserve the art genre, many gong-playing courses have been organised in schools, and clubs and ensembles have been established. Gong festivals are held every two years, drawing many gong troupes from across the province.
Local authorities are also working to preserve the Bahnar group’s epic poems, which received the title of National Intangible Heritage in September 2013.
Preferential policies have also been adopted to encourage singers and storytellers to continue performing and passing their knowledge on to younger generations.
Additionally, training courses have been organised for staff working in cultural fields to improve their knowledge of conservation of traditional culture.
Communication campaigns aim to raise public awareness about the importance of cultural preservation, thus enhancing ethnic minority groups’ ability to conserve and promote their cultures.
Relevant agencies are working to support vocational training and build traditional trade villages that make brocades, weave and produce traditional musical instruments. Artisans were given funds to open classes on gong playing, folk singing and brocade weaving.
Local authorities have paid special attention to restoring and maintaining traditional festivals. They have also built and upgraded infrastructure in order to help maintain cultural parks, villages, and spaces for cultural exhibitions and museums.
According to Phan Xuan Vu, Director of the provincial Department of Culture, Sports and Tourism, many traditional cultural identities of the locality are f alling into oblivion because of increasing economic and cultural exchange among ethnic groups.
He urged stronger efforts and more practical measures from local authorities to deal with the situation, contributing to preserving cultural identities of local ethnic minority groups.-VNA
Central Highlands provinces have undertaken various measures in a bid to preserve and uphold values of the cultural space of gongs – part of the world’s intangible cultural heritage.
President Truong Tan Sang made a fact-finding tour of the community-based culture-tourism village in Phuong Do commune in the northern mountainous province of Ha Giang on December 10.
The springtime festival, themed ‘Colours of spring from every corner of the country’, will be held from February 10-15 at the Vietnamese Ethnic Groups Culture-Tourism Village in Hanoi.
Over 300 documents, images and artifacts on the distinctive gong culture of Vietnam's Central Highlands are currently on display at an exhibition at the Vietnam Museum of Ethnology in Dak Lak.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally