Hanoi to set off fireworks to celebrate national reunification day
Hanoi will hold two fireworks displays on April 22 and 27 to mark the 50th anniversary of the Liberation of the South and National Reunification (April 30, 1975 – 2025), according to the Office of the municipal People's Committee.
A dazzling fireworks display lights up the sky over Hanoi (Photo: VNA)
Hanoi (VNA) ✨– Hanoi will hold two fireworks displays on April 22 and 27 to mark the 50th anniversary of the Liberation of the South and National Reunification (April 30, 1975 – 2025), according to the Office of the municipal People's Committee.
The initiative aims to foster excitement, national pride, and solidarity among city residents.
The first fireworks display will take place as part of the Hen uoc Bac Nam (North–South Promise) art programme at the F1 racing track area in Phu Do ward, Nam Tu Liem district. It will feature a combination of high- and low-altitude fireworks. The show is scheduled to begin at 9:45pm on April 22 and will last for 15 minutes.
Another show will take place within the framework of the Vang mai khuc khai hoan (Resounding the song of triumph) live programme connected with locations, featuring a similar mix of high- and low- altitude fireworks at the multipurpose stage in Thong Nhat Park, Le Dai Hanh ward, Hai Ba Trung district. It is also set to run for 15 minutes, from 9:45pm to 10pm on April 27.
The Hanoi Capital Command was assigned to coordinate with relevant agencies to successfully carry out these shows. Meanwhile, the municipal public security department was tasked with devising plans to ensure social order and traffic safety in the fireworks display areas and facilitating the transportation of fireworks and technical equipment to the launching sites./.
Running across four nights until April 30, the programme features performances from 7:30 to 9:30 pm at iconic city locations, including Nguyen Hue Walking Street, the municipal People’s Committee headquarters, the Opera House, and the Bach Dang Wharf area along the Saigon River.
The national commemoration ceremony will take place at 6:30 am on April 30, along Le Duan Street, District 1, and other streets in the central districts of the city.
Throughout April and May, this grand cultural programme will bring stirring artistic experiences to audiences nationwide, igniting a spirit of pride, solidarity, and remembrance.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
