Neu pole lowering, seal opening ceremony celebrates new year
A ceremony was held at the Hue Imperial Relic Site in the central province of Thua Thien-Hue’s Hue City on January 28 (the seventh day of the first lunar month) to take down the Neu pole (a tall bamboo pole with red garment strips used to ward off evil spirits during the lunar New Year) and open the New Year seal.
Thua Thien-Hue (VNA) - A ceremony was held at the Hue Imperial Relic Site in the central province of Thua Thien-Hue’s Hue City on January 28 (the seventh day of the first lunar month) to take down the Neu pole (a tall bamboo pole with red garment strips used to ward off evil spirits during the lunar New Year) and open the New Year seal.
According to Director of the Hue Relics Preservation Centre Hoang Viet Trung, under the Nguyen Dynasty, the rituals marked the end of the Lunar New Year holiday and the start of work and normal activities.
The Neu pole was erected on the 23rd day of the 12th lunar month, marking the beginning of Tet. It coincides with the day when the Kitchen Gods are believed to ride a carp to Heaven to report on events from the past year.
During 143 years of its reign (1802 – 1945), the Nguyen Dynasty held an annual ceremony to plant the Neu at the Imperial Citadel. The pole carried ritual items on its top, like a royal seal, a paper scroll and pen, which implied that the royal court stopped working during Tet. After the royal ceremony, ordinary people would erect their own Neu and start celebrating Tet.
The Neu was intended to ward off ghosts and demons from entering the community during Tet, and guide the spirits of ancestors on the way home for the Lunar New Year festival. The custom is also practiced in some Asian countries besides Vietnam.
It was taken down on the seventh day of the first lunar month to mark the end of the Tet celebration.
Meanwhile, the seal opening marked the start of a new working year of the ancient central administrative system with the hope that the whole year will be smooth and successful and the country will be peaceful and prosperous.
The traditional rituals of the Nguyen Dynasty have been revived for many years at the Hue imperial relic site.
During the seven-day Tet holiday from January 20-26, the Hue imperial relic site welcomed over 66,000 visitors, including 12,848 foreigners, earning nearly 5 billion VND (23,060 USD)./.
A wide range of cultural activities will take place throughout Hanoi’s Old Quarter from February 6, or the 25th day of the 12th lunar month, as part of celebrations for Tet (Lunar New Year).
Activities to celebrate the upcoming Lunar New Year (Tet) holiday and a programme to make thousands of “banh chung” (square glutinous rice cakes) for the poor are slated to be held at the Vietnam National Village for Ethnic Culture and Tourism, the village announced on January 25.
According to the Nguyen feudal dynasty’s etiquette, the “Thuong tieu” (neu pole erection) ceremony should be organised on the 23rd day of the 12th month of the lunar year, heralding the passing of the old year and the approach of the Tet festival.
Vietnamese people in the old days put up tall bamboo poles with red garment strips hanging from them during Tet, believing that poles prevented ghosts and monsters from entering the community during the holiday. The tradition of raising the Neu (or Tet) pole remains alive today in many villages and homes around the country.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
Neu pole lowering ceremony (Photo: VNA) 
