Nhat Binh long dress – Vietnam's cultural ambassador in US
Inspired by the elegance ao dai Nhat Binh, a type of court dress from the Nguyen Dynasty (1802-1945), designer Cao Minh Tien infused the royal motifs and patterns of the Nhat Binh with a youthful, modern arrangement, offering a refreshed perspective on Vietnamese heritage.
The ao dai Nhat Binh, a type of court dress from the Nguyen Dynasty (1802-1945), part of a special collection by designer Cao Minh Tien, at an exhibition in Washington, D.C. (Photo: VNA)
Washington D.C. (VNA) ♓- The Vietnamese Embassy in the US has showcased the ao dai Nhat Binh, a type of court dress from the Nguyen Dynasty (1802-1945), part of a special collection by designer Cao Minh Tien, at an exhibition in Washington, D.C.
The event, from May 5 to 10, saw the presence of Ambassador Nguyen Quoc Dung and his spouse Tran Thi Bich Van, alongside with ambassadors and representatives from more than 50 countries, as well as former officials, business leaders, designers, and fashion industry artists.
The event serves not only as an artistic platform but also as a cultural exchange, bringing together diplomats, politicians, designers, and fashion enthusiasts in a space where cultural identity and global peace messages converge.
The exhibition features traditional attire from various countries, including garments previously worn by the spouses of world leaders at key events.
The ao dai Nhat Binh drew particular attention from guests for its cultural significance and its unique blend of tradition and modernity, crafted from Vietnamese raw silk and traditional silk materials.
Originating in Hue imperial city, the Nhat Binh costume stands as a symbol of Vietnam’s royal heritage. In 1807, under King Gia Long, it was officially recognised as formal court attire and remained in use throughout the Nguyen Dynasty.
More than a symbol of traditional beauty, it represented social stability and prestige. Inspired by its elegance, designer Cao Minh Tien infused the royal motifs and patterns of the Nhat Binh with a youthful, modern arrangement, offering a refreshed perspective on Vietnamese heritage./.
The Ho Chi Minh City Women’s Union held a gathering at Nguyen Hue pedestrian street, District 1 in the heart of the city, on March 5 on the occasion of the 113th anniversary of International Women’s Day (March 8) and the 1983rd anniversary of Hai Ba Trung (Trung Sisters) Uprising.
Through the many ups and downs of history, the “ao dai” (traditional long dress) has been imprinted on the minds of Vietnamese as the national outfit. Meanwhile, the “ao dai ngu than” (five-flap long dress), which is considered the forerunner to the ao dai, has fallen into oblivion.
Situated in Hoa Lam commune, Ung Hoa district, Hanoi, Trach Xa village is renowned for its tailor-made traditional long dress or ao dai. What makes Trach Xa ao dai unique is the meticulous craftsmanship and distinctive tailoring techniques. In 2004, Trach Xa was recognized as a traditional ao dai craft village by former Ha Tay province. Last year, the Trach Xa tailoring craft with a history spanning over 1,000 years was recognized as a National Intangible Cultural Heritage.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
