📝 OP-ED: Vietnam eyes cultural soft power to boost national strength
Developing the "soft power" of Vietnamese culture will contribute to bolstering the country's overall national strength, according to Party General Secretary Nguyen Phu Trong.
A xoan singing performance at Hung Kings Festival 2021 (Photo: VNA)
Hanoi (VNA)🎶 – Developing the "soft power" of Vietnamese culture will contribute to bolstering the country's overall national strength, according to Party General Secretary Nguyen Phu Trong.
In his keynote address at the National Culture Conference in November 2021, which was later included in his book "Building and developing advanced Vietnamese culture rich in national identity," the Party leader underlined the importance of preserving and promoting the nation's cultural heritage while embracing modern influences.
“We must pay greater attention to preserving, restoring, and upholding the values of the national culture, both tangible and intangible cultural heritage from various regions and ethnic groups,” Trong said, highlighting the need to balance tradition with modernity.
In an era of widespread globalisation and extensive international integration, Vietnam's rich cultural tapestry, including its tangible and intangible heritage, natural landscapes and people, offers a powerful tool for soft power diplomacy and becomes the endogenous strength, the great resource and motivation for the country to prosper and integrate internationally. The country aims to leverage this asset to enhance its global competitiveness and drive sustainable development.
Young people, a key force in upholding cultural soft power (Photo: VNA)
"Vietnam's cultural soft power is a key component of its overall national strength," Trong asserted.
Recognising the threats posed by cultural invasion and assimilation, the Party chief stressed the importance of safeguarding national cultural identity. This includes not only preserving traditional values but also effectively communicating the essence of Vietnamese culture to the world. It is equally important to define the place, role, and contribution of the national culture within the flow of global cultural history.
At present, Vietnam boasts eight world heritage sites, 15 intangible cultural heritage elements, 10 documentary heritage items, 11 world biosphere reserves, 3 global geoparks, and 9 ramsar sites listed by UNESCO.
The country has counted over 40,000 relic sites and 70,000 intangible cultural heritage elements, including 130 special national sites, 3,633 national relic sites, 571 intangible cultural heritage items listed in the National Intangible Cultural Heritage Register, and 294 artifacts or groups of artifacts designated as national treasures.
There are 200 museums nationwide, comprising 127 public and 73 private ones which preserve and display over 4 million particularly rare and valuable documents and artifacts.
As many as 131 People's Artisans and 1,619 Meritorious Artisans who are masters of various forms of intangible cultural heritage have been honoured.
This wealth of cultural property and resources needs to be actively harnessed and promoted through strategic development and supportive policies from the Government, ministries, and local authorities. The Ministry of Culture, Sports, and Tourism must play a leading and pivotal role in safeguarding cultural identity and disseminating Vietnam's cultural soft power on the global stage.
The 13th National Party Congress, as well as General Secretary Trong, has outlined several measures to uphold Vietnam's cultural soft power and position Vietnamese culture within the global landscape. These include preserving and promoting the values of the national cultural heritage, creating new cultural products with high ideological and artistic value, strengthening external relations and cultural diplomacy while actively engaging in global cultural integration, investing significantly in the cultural industry and services, and developing tourism as a pillar economic and cultural sector to spread soft power./.
Since joining the UNESCO Creative Cities Network in the “Design” category in 2019, Hanoi has organised a multitude of activities relating to design and creativity.
Vietnam's cultural industries have helped bring the image of a beautiful nation with rich identity to the world. Many localities have successfully optimised the creativity factor in culture and turned culture into an attractive product with high socioeconomic values, thus building trademarks for many destinations.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally