Photo book celebrates a century of Vietnam’s revolutionary press
This is the first-ever photo book on the history of Vietnam’s revolutionary journalism. It features concise articles and more than 1,000 rare photographs and documents carefully selected from archives nationwide.
A ceremony is held to launch the photo book “100 Years of Vietnam’s Revolutionary Press (1925–2025).” (Photo: VNA)
Hanoi (VNA)🌌 - A ceremony was held on June 10 to launch the photo book “100 Years of Vietnam’s Revolutionary Press (1925–2025)”, marking the 100th anniversary of Vietnam Revolutionary Press Day (June 21, 1925 – 2025).
Compiled and published by the Vietnam News Agency Publishing House, this is the first-ever photo book on the history of Vietnam’s revolutionary journalism. It features concise articles and more than 1,000 rare photographs and documents carefully selected from archives nationwide. Each image was rigorously vetted for authenticity, including its origin, date, subject, context, and intended message.
Printed in full colour and bilingual (Vietnamese–English), the hardcover book spans 372 pages in a 23 x 25 cm format, and is divided into six thematic sections.
Member of the Party Central Committee, Editor-in-Chief of Nhan Dan Newspaper Le Quoc Minh speaks at the launch ceremony. (Photo: VNA)
The book chronicles the evolution and growth of Vietnam’s revolutionary press in tandem with key milestones of the Communist Party of Vietnam and the nation’s broader revolutionary path. It showcases historic turning points, achievements, and the silent sacrifices made by generations of revolutionary journalists. Across various periods, the press not only fulfilled its mission of timely and vivid reporting, but also played a pivotal role in ideological education, public opinion shaping, combating disinformation, and raising political awareness among the populace.
The photo book “100 Years of Vietnam’s Revolutionary Press (1925–2025)”. (Photo: VNA)
The photo book stands as a profound tribute to the generations of revolutionary journalists in Vietnam, documenting their tireless journey of hardship, resilience, creativity, and dedication. Beyond its historical value, it serves as a compelling testament to the integrity, responsibility, and devotion of Vietnamese journalists to their country and people, honouring their vital contributions to the nation’s construction and defence./.
The press, as a sharp ideological - cultural tool of the Party, must always operate under the Party's unwavering leadership. This ensures the revolutionary, ideological, and humanitarian essence of Vietnamese journalism, which contributes to maintaining political stability, strengthening national unity, and creating social consensus and public trust in the renewal process.
President Ho Chi Minh, a great journalist, is the founder and guiding light of Vietnam’s revolutionary press. Throughout his life, he paid close attention to journalism and press activities. His teachings on the role and responsibility of journalists, as well as on content, audience, purpose, and methods of communication, remain valuable lessons for today’s media professionals.
To affirm the Party and State’s commitment to supporting the press, the NA Standing Committee has adopted the government’s proposal to apply a uniform preferential corporate tax rate of 10% to all types of press. This move aligns with the current tax incentives for print newspapers.
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Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
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The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
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Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally