Phu Tho prepares for 2016 Hung Kings Temple Festival
The death anniversary of the Hung Kings and the 2016 Hung Kings Temple Festival will take place from April 12-16 with a string of new activities, said the organising board.
Palanquin procession to Hung Kings Temple (Photo: VNA)
Phu Tho (VNA) - ⛦The death anniversary of the Hung Kings and the 2016 Hung Kings Temple Festival will take place from April 12-16 with a string of new activities, said the organising board.
There will be a number of exhibitions displaying photos, paintings, documents and objects that feature Hung King worshipping rituals, Xoan singing, which is now in the UNESCO’s list of Intangible Cultural Heritage in need of urgent protection, as well as land and people of Phu Tho.
Vice Chairman of the provincial People’s Committee Ha Ke San who is also head of the festival’s organising board, said activities will be held at the Hung Kings Temple Relic Site, Viet Tri city, communes around the Hung Kings Temple and areas around relics dedicated to worshipping Hung Kings and famous generals under the dynasty across the province.
The event will see the participation of the northern province of Vinh Phuc, the Central Highlands province of Gia Lai and the southern provinces of Binh Phuoc and Ca Mau.
Vietnamese legend has it that Lac Long Quan, son of Kinh Duong Vuong, married Au Co, daughter of King De Lai. Au Co gave birth to a sack containing 100 eggs from which 100 children were born. The couple then decided to separate in order to populate the land and propagate the race, so half the children followed their mother to the highlands and the remaining went with their father to the sea.
The first child went with mother Au Co to Phong Chau, now Phu Tho province. He then became King Hung and founded the first nation in the history of Vietnam, called Van Lang.
Ruling the country over 18 generations, the Hung Kings taught the people how to grow wet rice. They chose Nghia Linh Mountain, the highest in the region, to perform rituals devoted to rice and sun deities to pray for lush crops.
To honour the great contributions of the Hung Kings, a complex of temples dedicated to them was built on Nghia Linh Mountain, and the tenth day of the third lunar month serves as the national commemorative anniversary.
The worshipping rituals of the Hung Kings are closely related to the ancestral worshipping traditions of most Vietnamese families, which form an important part of their spiritual lives. It was recognised as UNESCO Intangible Cultural Heritage of Humanity in 2012.-VNA
As an annual tradition, a delegation of overseas Vietnamese will attend ceremonies on the occasion of the death anniversary of Hung Kings from April 22 to 29 at the invitation of the Committee for Overseas Vietnamese Affairs.
Numerous celebratory activities will be held in northern Phu Tho province from April 23-28 to commemorate the Hung Kings, the legendary founders of Van Lang – the first State in Vietnam’s history.
Concerted efforts were made by the northern midland province of Phu Tho to hold a successful Hung Kings Temple festival in 2015 and make it an epitomised festival nationwide, as heard at a conference to review the festival’s organisation on May 13.
Phu Tho province's cultural authority has said the introduction of xoan singing in schools will play a major role in preserving and promoting the provincial heritage.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally