Provinces asked to mobilise funding for UNESCO-recognised Vi Giam singing
Prime Minister Nguyen Xuan Phuc on July 30 requested the central provinces of Nghe An and Ha Tinh to balance their annual budgets and mobilise funding from other sources to implement projects on protection and promotion of Vi Giam folk singing between 2021 – 2025.
A Vi Giam folk song performance. The art form has been recognised by UNESCO as an intangible cultural heritage. (Photo: dancaxunghe.vn)
Hanoi(VNA) – Prime Minister Nguyen Xuan Phuc on July 30 requested the centralprovinces of Nghe An and Ha Tinh to balance their annual budgets and mobilisefunding from other sources to implement projects on protection and promotion ofVi Giam folk singing between 2021 – 2025.
The PMassigned the Ministry of Culture, Sports and Tourism to instruct the provincialPeople’s Committees to protect and promote the value of the folk singing inline with the UNESCO Convention for the Safeguarding of the Intangible CulturalHeritage.
He taskedcompetent authorities to promptly develop new regulations and proposeamendments to the current ones on safeguarding and promoting Vietnam’sintangible cultural heritages to submit to the government for review.
The Vi Giam folk singing was recognised as an Intangible Cultural Heritage of Humanity by UNESCO in2014.
Vi and Giam are sung by communities in Nghe An andHa Tinh. The lyrics use the unique dialect and linguistic idioms of the regionand are sung with the particular accents of people there.
The songsfocus on key values and virtues including respect for parents, loyalty, careand devotion, and the importance of honesty and a good heart in the maintenanceof village customs and traditions.
The folk musicis traditionally sung while people are working in the rice fields, rowingboats, making crafts or lulling children to sleep. Singing is a chance forlocals to ease theirs hardship in life as well as express feelings between menand women.
Today, Vi and Giam are also sung at cultural events and theatres.The folk singing is also featured in a number of local festivals and taught inschools as a way to transmit, practise and pass down the heritage to theyounger generations./.
A programme is jointly held by the central provinces of Nghe An and Ha Tinh on January 31 to receive the UNESCO certification for local Vi-Giam folk singing as part of humanity’s intangible cultural heritage.
Vietnam’s Nghe Tinh Vi-Giam folk singing, part of the Humanity’s Intangible Heritage, has left a striking impression on the audience at the Asian Festival 2015 in Australia’s Adelaide city.
Students from 12 high schools, colleges and universities in the central province of Nghe An delivered brilliant performances at the first Vi-Giam folk singing festival for students.
Vi - Giam folk singing is simple, but profound, creating a particular language to reflect the rich and diverse life of the people of the Nghe region in north central Vietnam.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.