Quan Ganh round glutinous rice cake – A renowned rustic delicacy of Hanoi
For hundreds of years, Quan Ganh round glutinous rice cake (banh day) has been regarded as a simple yet refined dish in Vietnamese cuisine. This cake has earned a special place in the hearts of food lovers from far and wide thanks to its aromatic and chewy texture.
Hanoi (VNA) - For hundreds of years, Quan Ganh round glutinous rice cake (banh day) has been regarded as a simple yet refined dish in Vietnamese cuisine. This cake has earned a special place in the hearts of food lovers from far and wide thanks to its aromatic and chewy texture.
A round glutinous rice cake production site (Photo: Tran Viet/VNA)
Residents of Thuong Dinh village, located in Nhi Khe commune, Thuong Tin district, Hanoi, are known for their diligence, intelligence, and skillful hands. From long ago, they had discovered ways to turn local agricultural products into delicious foods, most famously the round glutinous rice cake sold along Quan Ganh Street—hence the name Quan Ganh round glutinous rice cake.
Over the centuries, this type of rice cake has become an iconic rustic delight of Vietnamese gastronomy, even making its way into culinary dictionaries of Vietnam.
The history of Quan Ganh rice cake making
Legend has it that a long time ago, a beggar passed through Thuong Dinh village and was warmly welcomed by the locals. Moved by their kindness, he shared a special recipe using glutinous rice, which became today’s round glutinous rice cake. After trying the cake, the villagers were captivated by its taste. They decided to preserve the recipe and turn cake-making into a livelihood.
In the early days, Quan Ganh round glutinous rice cake was sold mainly to travelers along National Highway No. 1. Over time, the cake gained popularity, attracting attention from Hanoians and visitors from across the country.
After many societal changes, the art of making round glutinous rice cake has been now preserved only in a small section of Quan Ganh Street in Nhi Khe commune, Thuong Tin district, Hanoi.
The cakes are grouped in sets of six before wrapping. (Photo: Tran Viet/VNA)
What makes Quan Ganh rice cakes special?
To craft these fragrant cakes, villagers in Thuong Dinh have followed traditional methods passed down through generations.
Though the process is not overly complex, it requires care, precision, and strict attention to detail. The main ingredients include Nếp cái hoa vàng (round glutinous rice - a premium variety of glutinous rice), or nếp quýt (another glutinous rice), golden mung beans, and essence extracted from the male lethocerus indicus - all carefully selected from the region's own agricultural produce.
The glutinous rice is soaked, thoroughly rinsed, and drained before being steamed. (Photo: Tran Viet/VNA)
The rice used is known for its exceptional stickiness and fragrant aroma. It is finely pounded until pure white, and then sieved to remove any remaining husk.
The rice is then washed multiple times (2-4 rounds) to remove impurities, soaked in cold water for 2–3 hours, rinsed again, and drained completely before being steamed into sticky rice.
Once the sticky rice releases its signature aroma, it is transferred to a mortar and pounded when it is still hot. This step continues until the sticky rice turns into a smooth, elastic, and translucent dough. Clean hands are used to divide it into equal portions, which are then flattened to form thin outer layers. A filling is placed in the center, and the dough is skillfully wrapped around it.
Finally, the cakes are bundled in groups of 5–6 and wrapped in fresh phrynium leaves. Each bundle is labeled and tied with red-dyed bamboo strings - completing the village's signature delicacy.
What sets Hanoi’s round glutinous rice cake apart from similar cakes in other regions is the variety of fillings. At Quan Ganh, the cakes come in three types - with identical outer shells but different fillings: sweet, savory, and plain (chay) -catering to diverse tastes.
Cake fillings are formed into equal portions before being wrapped in glutinous dough. (Photo: Tran Viet/VNA)
Over the years, Quan Ganh round glutinous rice cake has become a beloved and respected treat among both locals and visitors. Though it is neither luxurious nor complex in preparation, it embodies an elegant simplicity that resonates with the rural soul.
Much like other traditional Vietnamese treats such as dry rice wafer or plain rice flan, round glutinous rice cake is not only a humble symbol of Vietnam’s agricultural heritage, but also a cultural treasure with deep historical roots, enriching the vibrant tapestry of Vietnamese cuisine./.
“Banh giay” (round glutinous rice cake) is an indispensable dish on a Tet offering tray of the Pa Then ethnic people in Lam Binh district, Tuyen Quang province. The cakes are offered to ancestors and gods on the occasion of the traditional Lunar New Year to pray for good weather, bumper crops, prosperity, and happiness.
A cooking contest spotlighting Vietnam’s traditional rice cakes has stirred excitement in Phu Tho as part of the northern province’s ongoing signature Hung Kings Temple Festival.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.