Showroom featuring Vietnam’s spiritual mascot opens in Ninh Binh
A showroom featuring the “Nghe”, the spiritual animal mascot of Vietnam, has opened at the Hoa Lu cultural space in the northern province of Ninh Binh.
Experts discuss features of Nghe - the spiritual animal mascot of Vietnam (Photo: VNA)
Ninh Binh (VNA) – A showroom featuring the“Nghe”, the spiritual animal mascot of Vietnam, has opened at the Hoa Lu culturalspace in the northern province of Ninh Binh.
Representatives from the Ministry of Culture, Sports, and Tourism, scientists,historians, and cultural researchers attended the event, which was part of activitiesfor the National Culture, Sports, and Tourism Festival 2018.
The showroom will display sculptures, paintings, and sketchesof the Nghe, a cultural and historical symbolof Vietnam in various regions. The works will focus on highlighting the imageof the spiritual animal in the Dinh temple cultural space in Hoa Lu, Ninh Binh.
In Vietnamese culture, sacred animalsare those originating from legends or are created and used as cultural symbolsto deliver ideas and belief in their psyche and religion. They embody thenatural forces and hold characteristics of mysterious supernatural powers thatdominate humanity and the universe. One of them is the Nghe, a pure mascot forthe Vietnamese people which appears in folk verses, such as “Eachbeing has one profession/The Peacock is for dancing and the Nghe is forguarding”. The Nghe is a mixture of various sacred animals, with the body of adog, the head of a lion, and the power of a dragon, as well as resemblinga phoenix.
In the spiritual life of the Vietnamese people,the Nghe animal is important like other mascots, such as dragons and phoenixes,because it symbolises intelligence and such it is placed at both sacred sitesand houses.
The event has contributed to help locals, as well as domestic and foreignvisitors, gain insight into Vietnam’s cultural symbols, while promoting and honouringthe traditional culture values of the Hoa Lu ancient capital in particular, andof Vietnam in general.
The showroom will stay open until November 11.–VNA
Statues of traditional sacred animals guarding the gates of temples, pagodas and relics are gradually replacing fiercer looking animals designed in China, but made in Vietnam.
Some 200 images and artifacts related to “Nghe” – a sacred animal in the ancient culture of Vietnam – are on display at an exhibition that opened in the central city of Da Nang on August 15.
Vietnam has added six more cultural icons to the list of national intangible cultural heritages under a recent decision by the Ministry of Culture, Sports and Tourism.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.