Vietnam has additional 11 national intangible cultural heritages
Vietnam has added 11 more cultural icons to the list of national intangible cultural heritage, according to the Ministry of Culture, Sports and Tourism.
The drum making of Dao Do ethnic people in the northwest province of Lao Cai’s Sa Pa (Source:baochinhphu.vn)
Hanoi (VNA) – Vietnam has added 11 more cultural icons to the list ofnational intangible cultural heritage, according to the Ministry of Culture,Sports and Tourism.
They are a festival of Chu Xa village in Hanoi’s Gia Lam district; the “gautao” festival of H’Mong ethnic people in Phong Tho, Sin Ho and Tam Duongdistricts of the northern mountainous province of Lai Chau; the Dai Bi pagodafestival in the northern province of Nam Dinh’s Nam Truc district; the “cap sac” (maturity ritual) of Dao Quan chet ethnic peoplein the northwest province of Dien Bien’s Tua Chua district; the Linh Quangpagoda festival in the northern province of Nam Dinh’s Truc Ninh district; the“cap sac”(maturity ritual)of Dao Tien ethnic people in the northern province of Phu Tho’s Tan Sondistrict; the “goi au” (Lung ta) ritual of the Thai Trang ethnic group in thenorthwestern province of Son La’s Quynh Nhai district; the Tra On temple festival in the Mekong deltaprovince of Vinh Long’s Tra On district; and the Nguyen Tieu (Mid-First Lunar Month)festival of the Hoa ethnic people in Ho Chi Minh City.
Besides, drum making of Dao Do ethnic people in the northwest province of LaoCai’s Sa Pa district; and the art of pattern making on costumes of H’Mong Hoaethnic people in Son La province’s Moc Chau district are named the nationalintangible cultural heritages.
These recognised intangible cultural heritages belong to four categoriesof traditional handicrafts, traditional festivals, social practices and beliefs,and folklore knowledge.
The ministry assigned the authorities at all levels in localities whereintangible cultural heritages are located to be responsible for management ofthe heritages within the scope of their duties and in accordance with the lawand regulations on cultural heritages./.
Quan Ho love duet singing has been recognised by UNESCO as an intangible cultural heritage. Bac Ninh province has made efforts to preserve the art to implement commitments to UNESCO on conservation and development of Quan Ho.
As peach blossoms flaunt their deep pink colour on the threshold of spring, the melodies of folk music are everywhere in all the hamlets in the northern province of Lang Son.
With the introduction of modern musical forms, the folk music of ethnic Khmer in the southern region has encountered multiple problems retaining its popular status.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.