Vietnam, RoK discuss copyright challenges in digital environment
Vietnamese and Korean experts gathered in Ho Chi Minh City on March 26 for the Vietnam-Republic of Korea (RoK) Copyright Forum 2024, a joint effort by the Vietnamese Ministry of Culture, Sports and Tourism and the Korea Copyright Protection Agency (KCOPA) to tackle pressing issues related to copyright protection in the digital environment.
At the Vietnam-RoK Copyright Forum 2024 (Photo: VNA)
HCM City (VNA)ജ – Vietnameseand Korean experts gathered in Ho Chi Minh City on March 26 for the Vietnam-Republic of Korea (RoK) Copyright Forum 2024, a joint effort by theVietnamese Ministry of Culture, Sports and Tourism and the Korea CopyrightProtection Agency (KCOPA) to tackle pressing issues related to copyrightprotection in the digital environment.
Discussions focused on navigating copyrightcomplexities in the digital environment, emerging trends in copyright policiesamid artificial intelligence boom, and the responsibilities of onlineintermediaries for combating digital copyright infringement. Participants alsoexplored potential solutions and avenues for stronger bilateral cooperation. Pham ThiKim Oanh, Deputy Director of the ministry’s Copyright Office of Vietnam, highlighted the need for robusttechnological solutions for copyright tracking and transparent use. KCOPA President Park Jung-youl showcased theRoK's success in developing automated software to detect and countereavesdropping apps globally. He expressed interest in collaborating withVietnam, among other countries, to transfer this technology in order to bolstermonitoring capabilities and safeguard the rights of authors and their works. Regarding the protection of music copyrights, General Director of the Vietnam Centre for ProtectingMusic Copyright (VCPMC) Dinh Trung Can called for raising public awareness of intellectualproperty ownership laws. He advocated for enhanced international cooperation inprotecting musical works in the digital environment and urged Vietnam'sparticipation in relevant international treaties. He further encouraged copyright holders toactively identify violations and exercise their legal rights ofself-protection. This includes taking existing solutions like YouTube's ContentID and Facebook's Rights Manager, alongside exploring the development of newplatforms dedicated to tracking copyright infringement. Park Soo-ho, Chairman of the Korea MusicCopyright Association (KOMCA), proposed stronger bilateral cooperation incopyright development, such as fostering the exchange of copyright informationbetween the two countries and facilitating the global monitoring of copyrightedworks./.
A ceremony was held in Hanoi on April 27 to announce the international copyright of the TV programme “Whose Chance?”. This is a milestone in efforts to export Vietnamese TV programmes to the world.
Handling copyright infringement in cyberspace takes a lot of time and efforts because sites that pirate digital content have many ways to circumvent legal provisions. These sites are often highly skilled in bypassing artificial intelligence (AI) screening software.
Deputy head of the Ministry of Culture, Sports and Tourism’s Department of Copyright Office of Vietnam Pham Thi Kim Oanh is attending the 44th session of the World Intellectual Property Organisation (WIPO) Standing Committee on Copyright and Related Rights (SCCR/44) that opened in Geneva on November 6.
The Copyright Office of Vietnam under the Ministry of Culture, Sports and Tourism held a conference in Da Lat city in the Central Highlands province of Lam Dong on November 22 to discuss the protection of copyrights in the film industry development process.
In the context where AI dominates and produces vast volumes of content, the only sustainable path forward for journalism is to focus on high-quality content and core values. Journalism must redefine its mission - not to report the fastest, but to provide the most profound and trustworthy value.
Granma and the VNA have great potential for cooperation, especially in sharing content regularly, so that VNA products are published on Granma platforms and vice versa, thereby helping Cuban and Vietnamese people access true information and gain a deep understanding of each other's country and people.
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The strategic product, managed and operated by the Vietnam News Agency Digital Media Centre (VNA Media), is an official channel for popularising the Party and State’s information and documents as well as delivering mainstream and trustworthy news to both domestic and international audiences through various kinds of multimedia formats.
Since President Ho Chi Minh founded Thanh Nien (Young People) newspaper in 1925, the Vietnamese revolutionary press has become the voice of the people. During the resistance war against the colonialists, journalists took great personal risks to inspire patriotism and the will of rising up against foreign invaders.
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Throughout its 80-year history, the VNA has remained at the forefront of information dissemination. It has consistently delivered timely, accurate, and objective reports on both domestic and international events, serving the Party’s leadership, the State’s management, and the public’s demand for official news.
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Founded in 1842, the Vienna Philharmonic is regarded as a cultural ambassador of Austria, with prestigious conductors like Mahler and Karajan who shape its legacy. Its New Year’s Concert, broadcast to over 90 countries annually, stands as a global symbol of classical music excellence.
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A hub for sharing best practices, the event aims to forge solutions for financial sustainability, public media contracts, audience engagement, content innovation, and newsroom restructuring. It is also a moment for Vietnam’s media to accelerate its progress and figure out what the “revolutionary press” means in a new era.
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