Vietnamese films selected for Asian Project Market at Busan int’l film festival
Two Vietnamese films have been named among the 26 projects chosen for the Asian Project Market (APM) at this year’s Busan International Film Festival (BIFF) of the Republic of Korea.
‘Memento Mori: Water’ has been named among 26 projects for the Asian Project Market (Photo courtesy of Marcus Manh Cuong Vu)
Hanoi (VNA) - Two Vietnamese films have been named among the 26 projects chosen for the Asian Project Market (APM) at this year’s Busan International Film Festival (BIFF) of the Republic of Korea.
The first one, titled ‘Memento Mori: Water’, is the second part of the Memento Mori trilogy directed by Marcus Manh Cuong Vu.
The series is based on true stories compiled in a book telling the experience of cancer patients.
Another Vietnamese project is ‘If wood could cry, it would cry blood’, which is the debut work by young director Nguyen Phan Linh Dan.
She has taken part in the making of various music videos and advertisements.
The 24th APM is scheduled to take place virtually on October 12-14 as part of the 2021 BIFF.
🎐 The APM is a co-production platform in Asia that offers emerging filmmakers the opportunity to meet international leading film professionals./.
Four Vietnamese movies - Bac Kim Thang (Home Sweet Home), “Bo Gia” (Dad, I'm sorry), “Tiec trang mau” (Blood moon party) and “Rom” are being screened at the Asian Film Festival within the framework of the Vietnamese film screening day in Rome, Italy.
Tran Anh Khoa, playing Rom in the movie of the same name, took home the Best Actor Award at the 18th Asian Film Festival taking place in Rome from June 17 – 23.
A Vietnamese thriller named "Nguoi lang nghe: Loi thi tham " (Listeners-The Whispering) has won three awards during the course of the Asia Film Art International Film Festival (AFAIFF) 2021, the Voice of Vietnam (VOV) reported.
Vietnamese movie star Ngo Thanh Van, known as VanVeronica, will be seen in part two of a US superhero film starring Charlize Theron, Kiki Layne and Matthias Schoenaerts.
Movie buffs will be able enjoy some intriguing Vietnamese movies on the Vietnam Film Institute’s YouTube channel during social distancing, in an initiative that aims to promote local cinematic works to a wider audience.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally