Vietnamese movie honoured at Bangkok ASEAN Film Festival
Vietnamese movie Nguoi Vo Ba (The Third Wife) won the Special Mention prize at the Bangkok ASEAN Film Festival, which took place in Thailand from July 3-8.
The Third Wife is about the struggle of 14-year-old May who enters into an arranged marriage with a much older man in late 19th-century rural Vietnam. (Photo: tiff.net)
Bangkok (VNA) – Vietnamese movie Nguoi Vo Ba (The Third Wife) won theSpecial Mention prize at the Bangkok ASEAN Film Festival, which took place inThailand from July 3-8.
The Best ASEAN Filmwent to the host’s “Manta Ray” by Phuttiphong Aroonpheng, while “Balangiga:Howling Wilderness” by Khavn De La Cruz from the Philippines grabbed the JuryPrize.
Along with the threemain prizes, the Lifetime Achievement Award was presented to director GarinNugroho of Indonesia.
This year’s festival,organised by the Thai Ministry of Culture, attracted the participation of 10films from seven ASEAN member states.
The Third Wife,directed by Nguyen Phuong Anh (Ash Mayfair), tells a story in the 19th centuryrural Vietnam, in which a 14-year-old girl becomes the third wife of a wealthylandowner. After the marriage, she has to struggle with family politics, herown agency, and the prospect of motherhood.
It has won numerousinternational prizes, such as Best Artistic Contribution in InternationalCompetition awards at the 40th Cairo International Film Festival, RTVE -Another Look Award at the 66th San Sebastian International Film Festival, NETPAC(Network for the Promotion of Asian Cinema) award at the Toronto InternationalFilm Festival 2018.-VNA
The debut feature by Nguyen Phuong Anh (a.k.a. Ash Mayfair) – a writer-director based in New York and Vietnam – The Third Wife, won the NETPAC award at the Toronto International Film Festival 2018.
Vietnamese movie Nguoi Vo Ba (The Third Wife) on November 29 received the Best Artistic Contribution in International Competition awards at the 40th Cairo International Film Festival (CIFF).
Nguyen Trong Nha Uyen has made history for Vietnam’s dancesport by clinching a bronze medal in the solo Latin category at the WDSF World Championship 2025 in Germany.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
The Third Wife is about the struggle of 14-year-old May who enters into an arranged marriage with a much older man in late 19th-century rural Vietnam. (Photo: tiff.net) 
