Hanoi (VNA) – Vietnamese photographer Ho Trung Lam has won the Grand Prize at the ASEAN SX Photo Contest 2024 which was held in Bangkok in Thailand.
Accordingly, through his outstanding work “Suc song thien nhien giua long pho bien” (Natural vitality in the heart of the coastal city), Lam brought home the highest prize of the competition and pocketed 2,860 USD in the process, Radio the Voice of Vietnam (VOV) reported.
The competition ran with the theme of “ASEAN Biodiversity” and attracted the participation of photographers from 10 ASEAN countries such as Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam, with all entries being judged by an international panel of renowned photographers.
Established by the Thai Beverage Public Company in collaboration with the Royal Photographic Society of Thailand (RPST), the ASEAN SX Photo Contest aims to socially and environmentally inspire people from ASEAN countries to live sustainably, bring balance to their lives, and create a better world.
All of the winning photos will be exhibited from September 27 to October 6 at SUSTAINABILITY EXPO 2024, the largest sustainability EXPO in ASEAN, located at Queen Sirikit National Convention Centre (QSNCC) in Bangkok in Thailand.
Born in Nha Trang city in the southcentral coastal province of Khanh Hoa, Lam has taught literature at Tran Hung Dao High School in Cam Ranh City for 13 years. He is currently working at the Nha Trang city’s Department of Education and Training and is also a member of the Vietnam Association of Photographic Artists.
✅ The Vietnamese photographer also won a number of prizes, including gold prizes at the ninth Taichung 2020 International Exhibition of Photography and Magic Dof 2022./.
A photo contest on actions for the blue ocean was recently launched by the Natural Resources and Environment Magazine in response to the action month for environment 2024.
Winners of the photo and video clip contest “Technology with Heart” were honoured at a ceremony held in the headquarters of the Vietnam News Agency (VNA) in Hanoi on June 5.
The Ministry of Information and Communications (MIC), in collaboration with the Vietnam Association of Photographic Artists and relevant agencies, launched the “Happy Vietnam” photo and video contest for this year on March 20, in response to the International Day of Happiness.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
