Hau Dong trance ritual honours Vietnamese Mother Goddess Worshipping
An exhibition on Mother Goddess Worship and performance of Hau Dong Trance Ritual was opened in Hanoi on June 7, contributing to promoting the nation's traditional culture.
PhD, Meritorious Artisan Nguyen Duc Hien in a Hau Dong trance ritual performance. (Photo: VietnamPlus)
Hanoi (VNA) 🌺– An exhibition on Mother Goddess Worship and performance of Hau Dong Trance Ritual was opened in Hanoi on June 7, contributing to promoting the nation's traditional culture.
The programme aimed to honor the practice of Mother Goddess Worship, which was inscribed as UNESCO's Intangible Cultural Heritage in 2016, and promotes the nation's traditional culture to the domestic and international public.
In a novel setting – a cultural experience that stimulates all the senses – the 90-minute performance transported the audience to the emotional depths of the ritual's practice.
People had a chance to see installation art related to Mother Goddess worship, immersed in the space of Chau Van music, an indispensable element in performing the Hau Dong ritual.
The dolls simulate images in the Mother Goddess worship belief (Four palaces dolls). (Photo: VietnamPlus)
General Director Nguyen Xuan Thanh Tung said that the cultural experience programme is built on the foundation of the exhibition space Mother Goddess Worship: Heart-Beauty-Joy. It was set up in 2012 at the Vietnamese Women's Museum, introducing the core values of belief through the voices and experiences of people following Mother Goddess worship in Hanoi, and other northern provinces. It contributes to a better understanding of the unique, long-standing faith of the Vietnamese people.
Solemn altar in the exhibition space. (Photo: VietnamPlus)
The programme saw the participation of PhD, Meritorious Artisan Nguyen Duc Hien, a medium in charge of expertise who directly participated in the performance.
He said that the criteria for building the programme is to ensure the sacredness and majesty of the deities while also being artistic and expressing the core values of belief.
After a trial period, the organiser will conduct a survey. If the programme receives a positive response from foreign guests, Hien will explain the content in English. This contributes to the promotion of Vietnamese traditional culture. He once introduced Hau Dong on CNN channel and was the first person to bring Hau Dong costumes to the modern fashion stage.
The worship of Mother Goddesses is a purely Vietnamese folk belief. It has a long history and has adapted to social changes. Today, this belief is widely practised throughout Vietnam and in Vietnamese communities overseas. It addresses the concerns of daily life and the desire for good health and happiness. Worshippers find great emotional support in their faith, and it attracts followers from all walks of life, Hien said.
Hau Dong trance ritual honours Vietnamese Mother Goddess Worshipping (Photo: VietnamPlus)
People believe that the Mother Goddess is the supreme deity who has been reincarnated as the three Mother Goddesses – Heaven, Earth, Water, and Mountains and Forests – who look after all things. The Mother Goddess is worshipped in spacious palaces and temples and on small household altars in various configurations along with local deities. Mother Goddess worshippers consider her as the mother of all. She protects and supports them, giving them happiness, strength, and faith to overcome natural calamities, misfortunes, and illnesses. She also provides them a peaceful and prosperous life.
The Mother Goddesses reside on the altar where devotees come to ask for blessings. The altar is always kept clean and carefully arranged. Spirit mediums perform Hau Dong, the central ritual of mother goddess worship, on a platform in front of the altar. In anticipation of a ritual, the altar is beautifully prepared with many trays full of offerings, votive paper, and enormous vases of flowers.
PhD, Meritorious Artisan Nguyen Duc Hien in a press conference (Photo: VietnamPlus)
Hau Dong, a theatrical ritual form, is central to the worship of the Mother Goddesses. Mediums incarnate the gods with characteristic facial expressions and movements in the sacred space of the ritual. The audience sees incarnate deities dancing in their exquisite costumes and listens to Chau van music. They relive the stories of national heroes and heroines while sitting in a ritual area decorated with vibrant colors, they somehow go into a trance.
When spirit mediums impersonate a god, the music, the encouragement of the audience, and the atmosphere of the ritual inspire them to dance more vivaciously and to mime the characteristic gestures and personality of the gods more authentically. Also essential is the coordinated effort of skilled assistants who prepare and change the costumes and props, and dress and groom the medium.
According to Hien, costumes are important signs that identify different deities in their incarnations. Wearing a beautiful costume while dancing encourages the spirit medium to be in a more ecstatic state, thus making the audience more excited as well.
The interaction between the medium, the audience, and the musicians in the ritual space generates an accelerating sense of joy until the ecstatic participants are able to forget all the sorrows of their daily lives. This sense of joy grows as the spectators receive the gods' spiritual and material fortunes, believing that a fragment of the gods' fortune is equal to a load of earthly fortune.
The programme will be open to the public every Friday and Saturday evening starting June 14 at the Vietnamese Women's Museum, 36 Ly Thuong Kiet Street, Hanoi.
The worship of the Mother Goddesses of the three realms (Heaven, Water, and Mountains and Forests) was inscribed by UNESCO in 2016 as an Intangible Cultural Heritage of Humanity./.
The Museum of Mother Goddesses, owned by cheo artist and comedian Xuan Hinh and designed by architect Nguyễn Hà, was honoured at the recent “The World Around 2024” conference. The museum combines traditional construction methods with modern forms, serving as a testament to the urbanisation of rural landscapes in Vietnam while preserving a threatened cultural heritage.
In Vietnamese people’s belief of worshipping the Mother Goddesses, Mau Lieu Hanh (Mother Goddess Lieu Hanh) is the supreme spirit at the top of the pantheon. Lieu Hanh is also the only female figure in the “Tu Bat Tu” (Four Immortals) of Vietnamese people in the Red River Delta.
Performances of the Hau Dong trance ritual are among the highlights of the Dong Cuong Temple Festival 2023, which has taken place at the Đông Cuông Temple National Historical Site in the northern province of Yen Bai.
The programmes have brought about positive changes to rural infrastructure, comprehensively improved the material and spiritual lives of farmers, and contributed to Vietnam's economic restructuring, said PM Pham Minh Chinh.
The festival highlighted the contributions and robust development of Vietnam's revolutionary press over the past century while promoting press products and showcasing the creativity of Vietnamese journalists.
The programme on sustainable poverty reduction has achieved its annual targets for reducing the poverty rate as assigned by the National Assembly and the Government. It has fulfilled five specific objectives and five five-year goals, and met nine out of 12 indicators related to addressing basic social service shortages.
UNICEF stands ready to support the Government in implementing this important law and in continuing to invest in teachers as the cornerstone of a resilient, inclusive, and high-quality education system for all children.
PM Pham Minh Chinh highlighted how Vietnam's revolutionary press has continuously evolved and strengthened over the past century, affirming its role as a sharp and vital political, cultural, and ideological weapon serving the Fatherland and the people in the glorious revolutionary cause of the Party.
Vietnamese Consul General in Fukuoka Vu Chi Mai highlighted the growing demand for Vietnamese workers in Kyushu, especially in Fukuoka, Oita, and Saga prefectures. Currently, the region employs about 35,000 Vietnamese manual workers and over 5,000 IT engineers.
In Vietnam’s case, she said, President Ho Chi Minh demonstrated his strategic vision by founding the revolutionary press a century ago. The late leader understood the press's role not only as a means to reflect the country’s realities but also as a powerful tool to strengthen national unity and inspire the resistance wars and national construction process.
In recent interviews granted to the Vietnam News Agency (VNA)'s reporters in Mexico, prominent figures reflected on the press’s legacy and its global influence.
VietnamPlus e-newspaper of the VNA clinched an A prize in the “Outstanding Press Product” category for its immersive 3D multimedia project, “Epic of Reunification,” a groundbreaking blend of storytelling and technology. The VNA won another A prize for its eye-catching exhibition booth.
Today, the press for foreign service has evolved into a distinct, irreplaceable force, bridging Vietnam with the world and portraying a nation that is stable, peace-loving, and fully integrated into the international community.
At a review conference held on June 21, Deputy Minister of Construction Nguyen Van Sinh praised the province’s scientific, coordinated, and flexible approach. He noted that the early completion reflects the strong commitment of local authorities, the business community, philanthropists, and residents in improving housing conditions for disadvantaged groups.
The VNA delegation, led by General Director Vu Viet Trang, actively participated in the event, engaging in both professional and diplomatic activities.
In the context where AI dominates and produces vast volumes of content, the only sustainable path forward for journalism is to focus on high-quality content and core values. Journalism must redefine its mission - not to report the fastest, but to provide the most profound and trustworthy value.
Granma and the VNA have great potential for cooperation, especially in sharing content regularly, so that VNA products are published on Granma platforms and vice versa, thereby helping Cuban and Vietnamese people access true information and gain a deep understanding of each other's country and people.
During his stay in China’s Guangzhou city from 1924 to 1927 to prepare for the establishment of a Communist Party to lead Vietnam’s revolution, President Ho Chi Minh founded “Thanh nien” newspaper and released its first issue on June 21, 1925.
Vietnam and Cambodia are hoped to strengthen their robust collaboration across various sectors, particularly in resolving remaining border issues to transform the border area into a zone of peace, friendship, cooperation, and development.
The strategic product, managed and operated by the Vietnam News Agency Digital Media Centre (VNA Media), is an official channel for popularising the Party and State’s information and documents as well as delivering mainstream and trustworthy news to both domestic and international audiences through various kinds of multimedia formats.
Since President Ho Chi Minh founded Thanh Nien (Young People) newspaper in 1925, the Vietnamese revolutionary press has become the voice of the people. During the resistance war against the colonialists, journalists took great personal risks to inspire patriotism and the will of rising up against foreign invaders.
The total investment exceeded 319 billion VND (12.2 million USD), including over 261 billion VND from the state budget and 57.5 billion VND mobilised from businesses, organisations, and individuals.