My Son A10 pedestal seeks recognition as national treasure
The Treasure Evaluation Council of Quang Nam province and the Management Board of My Son World Cultural Heritage Site on August 10 approved a scientific dossier of My Son A10 pedestal at the heritage site, and agreed to submit the dossier to seek recognition of the pedestal as a national treasure.
My Son A10 at the My Son World Cultural Heritage Site is being restored (Photo: VNA)
Hanoi (VNA) – The Treasure Evaluation Council of Quang Nam province and the Management Board of My Son World Cultural Heritage Site on August 10 approved a scientific dossier of My Son A10 pedestal at the heritage site, and agreed to submit the dossier to seek recognition of the pedestal as a national treasure.
Phan Ho, Director of the Management Board of My Son World Cultural Heritage Site, said that My Son A10 pedestal is located at tower group A of My Son temple complex in Quang Nam province’s Duy Xuyen district. It dates back to between the 9th and 10th centuries.
The 2.26m-high, 2.58m-long and 2.58m-wide pedestal is constructed from 17 stone blocks.
A set of Linga-Yoni is placed on the pedestal. The Yoni is 2.25m in length and 1.69m in width while the Linga is 55cm in diametre and 57cm in height.
The pedestal was found by Vietnamese and Indian experts during restoration work at the site in May last year.
According to local experts, My Son A10 pedestal has a unique form with the largest set of Linga-Yoni statue in Champa sculpture found so far. Besides, it is decorated with typical patterns of Dong Duong style.
𝔍 The pedestal is a rare work of its kind that remains intact in the worshipping space at the My Son Sanctuary./.
A landscape protection zone for the My Son Sanctuary, a world cultural heritage site in the central province of Quang Nam, has been set up to preserve both historical and cultural relics and biodiversity there.
Experts of Vietnam and the Archaeological Survey of India team have been accelerating the implementation of a project to conserve and repair tower-temples of Group A at the My Son World Cultural Heritage Site in the central province of Quang Nam.
The Lam Kinh area in Tho Xuan district, Thanh Hoa province, is a special national relic that has harboured mysterious tales about one of the most significant feudal reigns in Vietnam’s history.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
My Son A10 at the My Son World Cultural Heritage Site is being restored (Photo: VNA) 
