Paris exhibition showcases Vietnamese contemporary arts
Set against the backdrop of the Year of the Snake, associated with the country’s transformation and renewal, the exhibition offers a fresh vision of a dynamic and evolving Vietnam. Visitors have a chance to discover a creatively reimagined Vietnam that transcends stereotypical images of war, traditional costumes, and scenic landscapes.
The art exhibition "Vietnam Opening Doors" is being held in Paris. (Photo: organising board)
Paris (VNA) - The art exhibition "Vietnam Opening Doors" was launched in Paris on March 5, bringing together renowned and emerging Vietnamese artists, brands and designers who highlight the country’s vibrant artistic revival.
Set against the backdrop of the Year of the Snake, associated with the country’s transformation and renewal, the exhibition offers a fresh vision of a dynamic and evolving Vietnam. Visitors have a chance to discover a creatively reimagined Vietnam that transcends stereotypical images of war, traditional costumes, and scenic landscapes.
The displayed artworks provide an insight of a nation deeply connected to the past while looking towards to the future.
Ha Mi, a member of the organising board, said that the exhibition is expected to act as a bridge between Vietnam and France, helping people better understand about how Vietnam has evolved and preserved its traditional cultural elements through contemporary Ao dai designs, artworks and paintings, among others.
Through a multi-generational and interdisciplinary approach, encompassing visual arts, design, fashion, and craftsmanship, the exhibition portrays a culture that defies rigid definitions and honours artists who actively blur boundaries between art forms. From ceramics to textile installations, each piece narrates a chapter of the country's history and connects to the artist's personal story.
Attending the event, Vietnamese Ambassador Dinh Toan Thang stressed that Vietnam today is a rapidly developing nation where artists and people have opportunities to show off their artistic talent.
The exhibition traces the artistic time lines of Le Pho, Mai Trung Thu and Vu Cao Dam at the school, followed by their long careers in France from 1937 onwards.
ASEAN Night was one of several ACP initiatives in Paris, following events such as the ASEAN Flag Raising Ceremony hosted by Vietnam in August 2024, Vietnamese Ambassador to France Dinh Toan Thang said.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
