Vietnam, China share experience in promoting traditional stage art
Vietnamese and Chinese experts and artists in traditional stage art met at a conference in Hanoi on December 11 to share experience and seek ways to promote the art, as well as optimising the role of theatrical activities in deepening mutual understanding.
At the opening of an exhibition featuring China’s renowned Peking opera master Mei Lanfang (Photo: VNA)
Hanoi (VNA) – Vietnamese and Chinese experts and artists in traditional stage art metat a conference in Hanoi on December 11 to share experience and seek ways topromote the art, as well as optimising the role of theatrical activities indeepening mutual understanding.
People’sArtist Le Tien Tho, Chairman of Vietnam Stage Artists’ Association said thatthe activity contributes to fostering the connectivity of theatre artists ofthe two neighbouring countries, giving a chance for them to exchange ideas onhow to develop the traditional art in a modern context.
Participants at theconference evaluated the situation of stage art in the current period, supportpolicies for artists, the training of young artists, and measures to popularisethe art amidst the process of international integration.
Reviewing the methodsbehind traditional Vietnamese stage art, playwright Le Quy Hien said thatVietnamese theater has seen the inheritance of traditional art and the absorbanceof modern theatre techniques.
Despite difficultiesand challenges, Vietnamese theatrical artists have always been proud of thecountry’s stage art, he said.
Yan Baoquan fromChina’s Shaanxi University said that in recent decades, the traditional stageart of China has entered a struggling period. He said the restoration andpreservation of traditional heritage arts has received much attention from the CommunistParty of China and the Chinese Government.
According toVietnamese theatre critic and theorist Assistant Professor Tat Thang, Chinese theatrehas the highest number of genres in the world, with more than 300 types
Dr. Tran Thi Minh Thufrom the Vietnam National Institute of Culture and Art Studies said thatVietnamese and Chinese stage arts have experienced four waves of interferences,but the Vietnamese art has still maintained its identity.
The conference waspart of the Vietnam-China traditional art exchange that is running fromDecember 11-14 in Hanoi. Within the programme, there will be an exhibitionfeaturing China’s renowned Peking opera master MeiLanfang and both Vietnamese and Chinese theatrical performances. –VNA
The Thang Long Water Puppetry Theatre in downtown Hanoi now holds the Asian record for being the only theatre in Asia offering nonstop live performances for 365 days. It is also responsible for introducing the traditional art form to more than 50 countries. The Voice of Vietnam Radio reports.
The Don ca tai tu music and song in southern Vietnam, a musical art with both scholarly and folk roots, has been inscribed early this month on the Representative List of the Intangible Cultural Heritage of Humanity.
Central Thua Thien-Hue province is famous for chanty. Previously, the chanty is popular in all regions of the country, especially in the central region. Chanty is important to the folk type of Vietnam. The Ministry of Culture, Sports and Tourism web portal provides an indepth look at the folk cultural activities full of Hue character.
Nguyen Trong Nha Uyen has made history for Vietnam’s dancesport by clinching a bronze medal in the solo Latin category at the WDSF World Championship 2025 in Germany.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.