Dong Kinh Nghia Thuc Square – living witness to Hanoi’s vibrant history
Nestled beside Hoan Kiem Lake, Dong Kinh Nghia Thuc Square is more than just a scenic landmark—it is a living testament to Hanoi’s rich and turbulent past. Over the decades, this square has evolved from a quiet coconut grove into a cultural and political hub, embodying the patriotic spirit of the Vietnamese people.
Brigade 308 marches through Dong Kinh Nghia Thuc Square on October 10, 1954. The building with the protruding roof in the background is now known as the “Shark Jaw.” (Archive photo: VNA)
Hanoi (VNA)❀ - In its earliest days, the area was known as the “Coconut Garden” due to the abundance of coconut trees lining the lake. Under French colonial rule, it was renamed Place Négrier and became one of Hanoi’s central squares, notorious as a site where patriotic scholars were publicly executed.
In 1907, a group of nationalist intellectuals led by Luong Van Can and Nguyen Quyen established the Dong Kinh Nghia Thuc School nearby. The school offered free lessons in the Vietnamese and modern sciences. It also hosted public lectures and published books and newspapers to promote patriotism and progressive ideas. Though it was shut down by the French colonial authorities after just a few months, the school left a profound legacy in Vietnam’s struggle for independence.
Dong Kinh Nghia Thuc Square
Following the August Revolution in 1945, Hanoi authorities renamed Place Négrier to Dong Kinh Nghia Thuc Square in honor of the school and its mission. The decision was signed by Mayor Tran Van Lai, who was known for promoting the use of Vietnamese as the official language in government administration.
During the resistance war against French colonialism, the square continued to serve as a focal point for historic events. On December 24, 1946, it was the site of a fierce battle between Vietnamese self-defense forces and French troops, marking the beginning of the nationwide resistance. Later, on October 10, 1954, as Hanoi was officially liberated, Brigade 308 marched through the square in a momentous celebration of freedom.
Today, Dong Kinh Nghia Thuc Square is an integral part of the pedestrian zone surrounding Hoan Kiem Lake. It regularly hosts major cultural and artistic events—particularly during Tet, New Year’s Eve, and other national holidays. On these occasions, thousands of locals and tourists gather at the square to celebrate and reflect on the city’s proud history.
Locals and tourists gather at Dong Kinh Nghia Thuc Square. (Photo: Minh Son/Vietnam+)
More than just a tourist attraction, the square is regarded as a "living heritage" of Hanoi. It preserves the memory, traditions, and patriotic spirit of generations past. For many Hanoians, Dong Kinh Nghia Thuc is not merely the name of a square—it is a symbol of sacrifice, resilience, and Vietnam’s enduring quest for renewal and independence.
Over the years, the square has also witnessed Hanoi’s transformation into a dynamic capital. Its central location, surrounded by historic streets and iconic landmarks, makes it a natural gathering point for civic life. Street performances, weekend markets, and youth-led cultural programs often bring the square to life, blending Hanoi’s past with its vibrant present. This unique atmosphere allows visitors to connect with both the city's heritage and its ongoing story of renewal./.
Hanoi will hold two fireworks displays on April 22 and 27 to mark the 50th anniversary of the Liberation of the South and National Reunification (April 30, 1975 – 2025), according to the Office of the municipal People's Committee.
Hanoi ranked 60th out of 63 provinces and cities in the Satisfaction Index of Public Administrative Services (SIPAS) in March, with 58.5 out of 100 points, according to the evaluation results on the National Public Service Portal.
During meetings with leaders and working sessions with the business community in localities of the Central European country, the two sides disused many measures to further strengthen cooperation in various fields between Hanoi and Czech localities.
Until 2030, Hanoi looks to have 159 industrial clusters covering a total area of 3,204 ha, expand five clusters established between 2017 and 2020 with a total area of about 45 ha, and build 21 new ones covering about 536 ha.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally